Verdi's Rigoletto

October 23, 25 & 27, 2015

Single tickets are on sale now!



Meet the Cast of Rigoletto










Meet the international stars of our upcoming performance of Rigoletto!

Learn more here!

Sondheim's A Little Night Music


Send in the clowns on March 18th, 20 & 22th, 2016


Music and Lyrics by STEPHEN SONDHEIM


Orchestrations by Jonathan Tunick

Suggested by a Film by Ingmar Bergman

Originally Produced and Directed on Broadway by Harold Prince

A LITTLE NIGHT MUSIC is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.

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Coming soon! Get a video report about our founder’s Steinway piano!

This season, send in the clown.

Get the best seats and save money with a Season Subscription!

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The 25th annual Magnolia Ball

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Student Programs

We believe in educating and enriching the lives of students by offering them the chance to explore music and drama at Piedmont Opera.

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2015 - 2016 Season

Want to find out what Piedmont Opera has to offer this year? Click here for our full calendar.

2015-16 Season

Sep 16 2015 @ 12:00 am – Feb 4 2016 @ 12:00 am
Season ticket for Student Night Performances @ The Stevens Center of the UNCSA | Winston-Salem | North Carolina | United States
Student Night Season tickets are available for $12. The chaperone season ticket option is $39. The season ticket includes Rigoletto, A Little Night Music and the A.J. Fletcher Opera Institute’s production of The Italian Straw[...]
La Lunch – Winston Salem @ Piedmont Club | Winston-Salem | North Carolina | United States
Join General Director James Allbritten and several of the principal cast members for lunch and take a close look at our productions. 200 West 2nd Street, 19th Floor, Winston Salem $20.00 per person Call 336.724.7077[...]
Oct 17 @ 11:30 am – 12:30 pm
Meet Me at the Met Luncheon for Otello @ SECCA | Winston-Salem | North Carolina | United States
Join Piedmont Opera for an informative luncheon catered by Jeffrey Adams on 4th before the Met Live in HD broadcast of Verdi’s Otello. October 17th at 11:30 am. Our speaker will be David Stewart, Associate[...]
Oct 17 @ 12:55 pm – 4:00 pm
Met HD: Live Otello @ SECCA | Winston-Salem | North Carolina | United States
The Met season opens with Verdi’s masterful Otello, inspired by Shakespeare’s play and matching it in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the[...]
Oct 21 @ 7:30 pm – 10:00 pm
Student Night for Rigoletto @ The Stevens Center of UNCSA | Winston-Salem | North Carolina | United States
Student Night at the Opera is the final dress rehearsal for the performance and is an opportunity for students to witness professional opera performances. Student Night is tailored for students and their chaperones. Typically Student[...]
Oct 23 @ 5:30 pm – 11:30 pm
Parents Night Out with SciWorks @ SciWorks | Winston-Salem | North Carolina | United States
Drop the kids (ages 4- 11) at SciWorks and enjoy an evening at Piedmont Opera’s Rigoletto. Children will receive a pizza dinner, museum time , a planetarium show and a late night snack. $25/child for[...]


The Magic Flute

KPMSuperb singing and acting made the Piedmont Opera production of The Magic Flute (Die Zauberflöte), Wolfgang Amadeus Mozart’s last opera, a “must see” event at the Stevens Center in downtown Winston-Salem. A large audience of all ages filled the hall – this is a great opera to include the children, being full of magic, comic situations, flashy staging, and all sung in English! Several innovative special events introduced opera to a new audience. The What’s Your Story Art Contest inspired young authors to write fairy tales then local artists from Associated Artists of Winston-Salem and the Hispanic Arts Initiative turned the stories into life. The company also hosted a Dragon Slayer and Princess Party after the matinee performance to give children the chance to meet the cast. More than 200 families attended.


Madama Butterfly

006Piedmont Opera opened its 37th season with the tragic love story of a young Geisha who gives up her life for love. Local favorite Jill Gardner sang the doomed title role. Opera Lively described her performance, “There is no way to sing and act the role of Cio-Cio San any better than Jill Gardner did. She was able to accurately portray with voice and body movements both the juvenile enthusiasm of the young geisha, and the bitter sorrow of the betrayed wife, as well as the heartbroken mother.” The Winston-Salem Journal proclaimed, ““The only thing wrong with Piedmont Opera’s production of Giacomo Puccini’s “Madama Butterfly” is that there are too few performances of it.” Pinkerton, sung by Isaac Hurtado, was praised for his warm tenor voice, which was youthful and convincing in the role of Pinkerton. The audience could believe that he is infatuated with Butterfly, but no effort to portray him as an innocent himself could succeed, not when his lyrics proclaim that, as a Yankee, he has the right – and the means – to have a girl in every port.

South Pacific

SouthPacific2014The Spring saw another first in PO’s history, the staging of a title from Broadway’s golden age. A large cast was assembled for performances of Rodgers and Hammerstein’s South Pacific. This highly successful production featured Bass-Baritone Branch Fields, who covered the role of Emile de Becque in the recent Broadway revival of this classic. He brought all his experience to bear for the success of our production. Making her role debut in this production was internationally acclaimed Dramatic Soprano Susan Neves as Bloody Mary. Ms. Neves has performed not only in this country’s leading opera companies, but for the Opera Bastille in Paris, Deutsche Oper Berlin, Vienna State Opera, Gran Teatro del Liceu in Barcelona, and the Arena di Verona. Of the production, the Winston Salem Journal said, “[Piedmont Opera] has found a cast that sounds good, looks good and can act. This is a show that you can get lost in, can absolutely go live in for three hours and not regret one second of it.”

The Flying Dutchman

DutchmanThis season was a successful season of firsts for Piedmont Opera. To celebrate the 200th anniversary of the birth of composer Richard Wagner, the company produced its first opera by this genre changing composer. Our new production of The Flying Dutchman, created in conjunction with the Princeton Festival, confronted the challenges of producing Wagner’s work in the 21st century. A production worthy of the City of the Arts and Innovation, it used the latest in theatrical computer technology to create the scenic world in which the composer’s characters live. The Winston-Salem Journal remarked, “Wagner was a 19th century composer with 21st century ambitions. The ancient archetype of the wandering soul and ghost ships with blood red sails that come from under the sea and fly off into heaven are impressively rendered by modern technology.”
The artists who populate the stage of Piedmont Opera hail from across the Triad and throughout the country. This season, Bass-Baritone Jake Gardner performed the title role in our production of The Flying Dutchman. Jake has performed with leading opera companies nationwide, but recently made his home in Kernersville. Reporting on the performance, the New York Wagner Society said, “What was special about the performance I saw in Winston-Salem was the high quality of the singing. Jake Gardner, the Dutchman, was a particular standout. There was no holding back his powerful baritone as he conveyed the strength of the hero.”
Other artists engaged for this production included Carter Scott making her role debut as Senta. Carter has sung internationally and continues to be in demand, particularly for her portrayal of Puccini’s Turandot, a role she essayed for Piedmont Opera in 2010. Two members of the A.J. Fletcher Opera Institute were also featured in this production, confirming Piedmont Opera’s long standing relationship with this nationally recognized Young Artist training program. Jonathan Johnson and Kate Farrar added this production to their growing resumes, as their careers take them to the Chicago Lyric and Chautauqua Opera Companies, respectively.


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